In the Eruptive Mode
A series of short monologues capturing the voices of individuals caught in the convulsions of change and struggle in the contemporary Arab world.
Written and Directed by Sulayman Al Bassam
A series of short monologues capturing the voices of individuals caught in the convulsions of change and struggle in the contemporary Arab world.
Written and Directed by Sulayman Al Bassam
2013
Sydney (premiere)
2012
Paris
A forensic reconstruction of Twelfth Night transforms into an unequivocal act of defiance towards the state. Third part of the Arab Shakespeare trilogy. A dark satire on the decades of hopelessness and political inertia that fed recent revolts across the Arab region.
Conceived by Georgina Van Welie and Sulayman Al Bassam
Written and Directed by Sulayman Al Bassam
2012
Tunis, Cairo, Kuwait, Amsterdam
2011
Kuwait (preview), Beirut, NewYork (US premiere), Boston
A modern day Gulf comedy inspired by Moliere’s classic Tartuffe.
Adapted by leading Kuwaiti political satirist Jaafar Rajab
Directed by Sulayman Al Bassam
2010
Beirut
A contemporary adaptation of Shakespeare’s classic, reworked and transplanted into the scorching oil-rich Islamic world of the Gulf. Second part of the Arab Shakespeare trilogy.
Adapted and Directed by Sulayman Al Bassam
Commissioned by the Royal Shakespeare Company for the Complete Works Festival
2009
Washington DC, Al Ain, Abu Dhabi, Sharjah, New York
2008
Kuwait, Damascus, Paris, Amsterdam
2007
Stratford-upon-Avon (Premiere as 'The Baghdad Richard'), Athens
A radical adaptation of the allegorical animal fables Kalila wa Dimna – an exploration of the mechanics of Empire and the narratives of power, an argument for cultural and religious tolerance in the modern Arab and Western worlds.
Written and Directed by Sulayman Al Bassam
Originally commissioned by Sheikha Hussa Sabah Al-Salem Al-Sabah
Co-produced by Dar Al-Athar Al-Islamiyyah (Kuwait), Tokyo International Arts Festival and barbicanbite06
2006
Kuwait, Bahrain, Kyoto, Tokyo, Sharjah, London, Oxford
2005
London (preview), Kuwait (preview)
The familiar characters of Shakespeare’s play are delegates placed in a conference room in an unnamed modern Arab state on the brink of war. First part of the Arab Shakespeare trilogy, which evolved from Hamlet in Kuwait (2001)
Written and Directed by Sulayman Al Bassam
Arabic language version commissioned and co-produced by Tokyo International Arts Festival
2005
Elsinore, Singapore
2002
Edinburgh, Cairo
2004
Tokyo, Bath, London, Seoul, Kuwait
The first fully formulated Arab artistic response to the American-led liberation/occupation of Iraq, bringing together a cast of leading Iraqi, Kuwaiti, British and American actors for the first time.
Scenes from Heiner Mueller’s Slaughter combined with a newly commissioned English script, The Trough, by Torben Betts.
Conceived and Directed by Sulayman Al Bassam
Produced by the Kuwait-Iraq Friendship Society
2003
Kuwait, Cairo
Strains from Shakespeare’s Romeo and Juliet combine with echoes of Arab love stories, Qays Wa Layla, in this play conceived for and about young people in the Gulf
Written and Directed by Sulayman Al Bassam
A Zaoum Theatre production
Commissioned by The National Council for Youth and Sport, Kuwait
2004
Kuwait
2003
Kuwait
A timely adaptation of Shakespeare’s classic, developed for presentation in Kuwait, Cultural Capital of the Arab World 2001, marking 10 years after the Gulf War and liberation from the Iraqi invasion. First part of the Arab Shakespeare trilogy which evolved into The Arab League Hamlet (premiered at Les Journées Théâtrales de Carthage, Tunisia) before evolving into The Al Hamlet Summit.
Written and Directed by Sulayman Al Bassam
2001
Kuwait, Tunisia
A hybrid theatre/live art installation presented in the Shunt Arches
Directed by Sulayman Al Bassam
A Zaoum Theatre production
1999
London
A darkly satirical Game Show performed in an industrial warehouse
Directed by Sulayman Al Bassam
A Zaoum Theatre production
Commissioned by the National Theatre of Dijon, France
1997
Dijon
A heady interactive promenade performance across three levels of multi-storey car parks, inspired by the medieval morality play Everyman
Directed by Sulayman Al Bassam
A Zaoum Theatre production
1996
Edinburgh, London